Fractured Bodies and Artificial Lights: A Critical Review of Disme dous e vexo un só corpo fraccionado
Disme dous e vexo un só corpo fraccionado (2026) by Alberte Momán Noval is a poignant and intellectually rigorous exploration of contemporary human alienation . Operating at the crossroads of poetry, social critique, and modern philosophy, the collection delivers a trenchant diagnosis of an era dominated by hyper-connectivity, technological mediation, and structural isolation . From the outset, Momán establishes a atmosphere of ontological fracture . Borrowing its guiding light from Luísa Villalta’s epigraph—which contrasts the “natural voice” with an “inhuman wind” simulated by machines—the poemary navigates the tension between authentic human experience and the artificial constructs that enclose it . The recurring motif of the "simulacrum" (evoking Jean Baudrillard) permeates the text . The speaker moves through urban spaces where three-dimensional reality is flattened into bidimensional calculations, where bodies are reduced to avatars, and where self-perception is trap...